Top Five Live Music Venues in London

London is well-known for its music scene and venues. Irrespective of whatever kind of event it is, whether it is corporate conference, live music, simple get-together, or a seminar, venues in London suit perfectly for your requirements. Here are top 5 live music venues in London  that are worth taking a look.

Boisdale

Boisdale is one of the new venues in London playing the live music. It has gained reputation very quickly and is famous for live Jazz and other performances. Popularity of this particular venue has gone up due to convivial and comfortable surroundings, and top0class facilities. Restaurants at the venue have Scottish-themed menu, including Scottish smoked salmon and lavish Angus beef steak, with super collection of whiskies. Boisdale tops the list with top-notch amenities and stands as the best choice for people who want a great night out.

New Cross Inn

New Cross Inn is one of the greatest pub music venues in London. This particular venue has got very good reputation for hosting some of the best shows and also offers opportunities to few local bands to showcase their talent to public, and prove their worth. With small stage and friendly surroundings, fans can get very close to the musicians. Modest price also allows people to enjoy the live music venues without any concern about high expenses. New Cross inn is a musical gem in the chain of pubs present in London. There is an open mic on Tuesday nights and you can enter for free until 2am.

Nambucca

Nambucca on Holloway Road in London is one of the popular venues for new and upcoming bands to perform and gain good reputation. It was reopened in the year 2010 after being destroyed by a major fire in the year 2008. You can find gigs on every weekend or once in weekday. Other childish entertainments here include Street Fighter 2, Classic Pinball Table, Table Football, and Arcade Machine.

The Black Sheep

The Black Sheep is a brilliant live music venue in London that has won lots of accolades for its superior quality. It is located in Croydon and stages several indie and rock nights. It also hosts break dancing, hip hop, and other genres such as dubstep and techno heads. It is considered as one of the popular clubs for fans, with most of the nights free till 9:00 pm, and you can find open mic night every 3rd Saturday.

The Half Moon

The Half Moon is one of the favourites for London music lovers and still one of the longest running venues.  It has got a pub with more space for hangers and to enjoy the fine wine, food, and delightful company.

The venue has been hosting live events since 1963; apart from live music, it has got an outstanding jukebox for music lovers.

Other Venues to Consider

The Old Blue Last is considered as the coolest pub in the world. In the past, several eye-catching performances from Arctic Monkeys, Diplo, Young Knives, and Lightspeed Champion have been hosted here.

So, go ahead and have a blast at any of these venues, and enjoy great live music in UK.

A techno nerd reviews DJ Pauly D

Over the Australia Day long weekend, Jersey Shore star DJ Pauly D – he of the 9.1 million Facebook fans (that’s more than double Armin van Buuren – boom!) – set off on his mission to educate Australia in the true, expansive art of DJing. Or something. Sure, this wasn’t a tour for the purists, but it would be churlish to deny the dude has an audience.

As one such fan asked on his Facebook page ahead of the 16+ Sydney show: “What the heck is the dress code? Is it like festival clothes?” Here at inthemix, that wasn’t the only question we were pondering. What would DJ Pauly D play? Would his journey be comparable to Sasha’s five-hour marathon happening on the same night in Sydney?

In order to get some answers, we went to Andrew Wowk: inthemix contributor, chinstroker-approved DJ around town and dance music nerd with “uncompromisingly high standards, an unnecessarily obtuse vocabulary, and at times overly deep and wanky analysis” (his words). The perfect reviewer then, for DJ Pauly D In Concert (Andrew agreed, but had to back up that night for the farewell set from Sydney techno authority Defined By Rhythm, a gig itinerary for Saturday shared by exactly no one else in the city). Of course,

Hearing aids are music to the ears of this concert violinist

Twenty seven year old musician, Erin, is a first violinist for the Cairns Concert Orchestra, leader of the Cairns Chamber Ensemble and a member of the string quartet Strings 4. Erin’s achievements are all the more impressive, knowing that she has had a degenerative hearing loss for almost twenty years.

As a young child, Erin’s hearing loss went undetected, as it seemed impossible that an extremely talented, budding violinist, who relies heavily on sound precision, could be having hearing issues.

It wasn’t until Erin was 15 years old, after turning the TV volume up consistently loudly, that Erin saw Dr John Wells, who diagnosed her with 20 per cent degenerative hearing loss and was immediately referred to Australian Hearing Cairns.

The team at Australian Hearing assessed Erin further and recommended for her to be fitted with hearing devices, a time Erin remembers vividly:
“Australian Hearing suggested I bring my violin to the fitting, which was a brilliant idea, as we were able to fit my hearing aids to suit my violin volumes. I remember hearing sounds again for the first time in years, including birds singing. It was funny, I actually thought the birds were inside my head as they sounded that close – much to the amusement of everyone around me,” Erin laughed.

School was often a lonely time for Erin. Erin noticed her hearing loss from as early as eight years old, but because her hearing loss wasn’t detected until her mid-teens, it meant that she missed out on social conversations, which often lead to lack of friendships.

Today, Erin has a number of very close friends, and has been living with her partner, Robbie Johnstone, accomplished conductor and violinist, for the last 7 years.

By day, Erin is a Payroll Officer and by night, loves playing in her various music groups, especially performing Classical pieces and modern movie themes. Erin said of her relationship with Australian Hearing:

“Australian Hearing has been fantastic to me, they are like family. They always fit my appointment times around me, not them. The best thing is, that they have fitted me with new hearing aids, as technology advances. Previously, people used to sound like robots to me when I wore my aids.”

“Now, with my new aids, the difference is dramatic. The volume levels are perfect, the filters are so much better, which means I can focus on the sound brilliantly.”

Erin’s Italian made violin is a treasured possession. But her most treasured possession of all are her Siemens hearing devices, fitted by Australian Hearing, because without her hearing aids, there would be no music in her life.

Dallas Observer Mixtape with DJ Love: Breakbeat Mix

Frank McCright has just shy of three decades in the DJ game as DJ Love. He has seen every facet of the DJ biz, from the production side in the studio to a front row seat for the infamous ’90s rave scene. Love has benefitted from a depth of experience rarely seen in DJs nowadays. For this week’s Mixtape he delivers an all-vinyl mix of breaks. For the uninitiated in this particular niche genre of dance music, this week’s mixtape is a grade-A primer for a genre that mines as much from classic hip-hop as it does from the dance floor.

DJ Love: DJing came to me as an alternative way to make or manipulate music. I went to my first underground club in 1987. I had heard some dance music, but it was mostly mainstream or radio hits. Once I heard the music being played in clubs like The Edge in Norman, Oklahoma, or The Wreck Room in Oklahoma City, I knew that was the kind of music I wanted to make. I didn’t quite know what it was, I just knew I wanted to make it. The problem was I didn’t have the money to buy gear. I was, however, able to afford to buy the records of the songs I liked. In 1988, I borrowed a Radio Shack mixing board, a belt-driven turntable and a drum machine from a friend. I took the a cappella of Information Society’s “What’s on Your Mind (Pure Energy)” and timed it with a beat I made on the drum box. I recorded it and thought I had made my first “remix.”

What did you do from there?

It then occurred to me that if I could match the tempo of a drum machine to a record, I could probably match the tempos of two records. So, I went to this teen club I frequented called Club Elite in my hometown of Lawton, Oklahoma. I was friends with the DJ and I told him what I discovered. He opened the booth door, put me on the decks and basically just handed me the wheels. Literally, he said he was moving back to Puerto Rico so I could have the job, then turned around and started organizing records. I was totally surprised and nervous, but, lo and behold, I just started mixing. He showed me the crossfader, said, “Wait for the breaks … mix then,” and that was it. It came natural to me. So basically, my first gig was the first time I had ever DJed.

Once you’d started DJing, what did you do?

I DJed from 1988 to 1994 before I actually acquired my own turntables and mixer, which I still have to this day. I spun there for a bit then moved to an R&B club across town playing nothing but new jack swing. During all of this, I kept building my collection of house and electronic music. In 1991 I moved to Norman and started a scene there DJing at a place called Rome XC. It was a bar with two sides. One side had live bands and the other side was a dance club. I was very lucky to get booked in LA for some raves there, so I came back and threw the first documented rave in Oklahoma in October of 1992. With that I built up a following, and with my good friend Patrick Johnson, we took the money from the raves and we remodeled the dance side and named it The Qube. That’s when things really took off.

Clemour to hold concert at Chabani

Clemour Ngobeni, popular finalist of The Voice South Africa show, will host a very special Red Carpet Music Concert on Christmas Eve in Waterval. His local performance is also a way in which he wants to thank his fans for their support over the past year.

At the beginning of the year, very few people knew about the singing talents of this young man from Limpopo. He entered for The Voice SA and the rest is, as they say, history. During his time at the show he performed alongside internationally acclaimed musicians such as Ladysmith Black Mambazo, Lira, Kahn Morbee from the Parlotones and he also worked with the legendary Vicky Sampson.

Clemour’s last “big achievement” was when he was invited to sing the national anthem when the Springbok rugby team took on the Wallabies on 1 October. He mesmerized the almost 50 000 spectators who attended the match at Loftus Versfeld in Pretoria.

On Christmas Eve (24 December) Clemour Music will be hosting a Red Carpet Music Concert called The Night Before Christmas with Clemour. The event will be held at the Fountains of Life church at Ha-Chabani. The venue can accommodate 1100 people. A number of guest artists from Johannesburg, Pretoria, Limpopo and Cape Town will also join Clemour on stage.

“We are bringing the beauty of a super, explosive music concert to the village, to inspire, motivate, encourage, and entertain and to influence the new generation that anything is possible, regardless of your background,” Clemour said in a statement last week.

SUMMER MUSIC CONCERT 2017

Falmouth School students dazzled the audience with a sparkling set of performances at the recent Summer Music Concert. The sheer talent of those performing blew the crowd away in a show that was packed full of diverse and exciting acts.

The packed crowd were introduced by student compere’s Millie Revel and Theo Fleming, who introduced the first act of the night on a jam packed bill. The Brass Group opened proceedings with a rendition of the Rocky theme and Somewhere Over the Rainbow, before a beautiful violin piece by Zoe Osmond.

Tia Head and Eloise Williams performed a lovely duet version of Gabrielle Aplin’s ‘Panic Chord’, before Jordan Lanyon played ‘Esmerelda’ by Ben Howard – a difficult piece made all the more impressive by the fact Jordan is only a year into playing the guitar. The flute group put on a bright and sparkly version of the Tchaikovsky classic, before the boys choir had the audience singing along with ‘Little Eyes’ and ‘Angels’.

Theo Fleming took a brief break from his compere duties to perform a piece on the flute, before later taking to the drums and the piano in a busy night for the new Head Boy! There was a foot tapping, jazzy number from the clarinet group and the talented Abiah Wyatt performed her own composition on the acoustic guitar.

The girls group consisting of Millie Revell, Daisy Easterby-Sands, Mabel Radmore and Niamh Miller performed an excellent version of ‘lovesong’ by The Cure (probably now better known for Adele’s cover), before Minnie Harrop gave an excellent solo performance on the piano to Ed Sheeran’s ‘Even My Dad Does Sometimes’.

There was an upbeat number from the sax group, before Lewis Naisey (a recent recipient of the most promising young pianist at the Junior Music Awards) played a superb piece. The pop choir stripped things back with their version of Birdy’s hit song ‘Wings’, before Falmouth College A-Level music student Anna Freeman sang a crowd pleasing rendition of Elton John’s classic, ‘Tiny Dancer’.

The show wound down with the final two acts, firstly with school band ‘Green Aliens and Blonde Girls’ playing the Red Hot Chilli Peppers new single ‘Dark Necessities’ and some impressive slap bass from Tadhg Cullen that Flea would be proud of! Finally the Jazz Band closed an excellent and enjoyable evening with ‘Smooth Operator’ and ‘Watermelon Man’.

Music Teacher at Falmouth School, Mr Fox said “The students have worked extremely hard preparing for tonight with busy schedules and their performances were superb. We thank everyone who came along to support the students and the music department, for making it such a great night.”